Who would have imagined this about a decade ago, that I would invent a new language and even made a number of recordings of tunes in that language? Least of all me! It was like a snowball that only needed a small push in order to start moving, and after that it went on rolling by itself. The Pleiadian snowball very slowly started its own life as I created HOYA, the first part of the Pleiadian Suite.

Has it ever occurred to you that if you talk about the existence of a language, this depends entirely on whether it is used by someone or not. Or if we know whether it was used at the beginning of time. Then it exists. Languages we have never heard about or which are not used, do not exist as far as we know. And this does not mean that they do not exist. The very moment somebody starts using them,they have been given life and now, all of a sudden, they exist.

There I exchanged the Swedish language for sounds that sounded great and were easy and fabulous to sing. When I exchanged understandable words such as ”I want a blue banana” for the incomprehensible “Eyabana Ya eh ah åh”, it never occurred to me how difficult it might become for the members of the choir to learn the texts.

However, thanks to this mental overturn, new and exciting words came into my head. During a meditation, the text of Owaije came to me – and the ball started rolling. It never was my intention to give birth to a new language, I mostly thought it exciting with new sounds and sound combinations. And, lo and behold, I was awarded the ”Word Prize” by the 2009 Word Festival for this language. (Who would have imagined this, at the very beginning of HOYA?). I was just playing.

On the next album, OMINE, the sounds had developed, become words and even complete sentences. I was extremely conscious that it was to be right, so I meditated on, utilized feelings and emotions, tasted each word, each phrase. At the very start, it took a lot of time. The more I used this new and wonderful language (and now I truly started to see it as a language), the easier it became.

During my work with OMINE several people confirmed to me what I had felt for quite some time, that this language had its roots in the Pleiades. But I was not prepared to say it out loud. I called it “The Old Language” when I was asked. I felt that what I was doing was far enough off the beaten track. Was I to add to this by saying, “Yes, my friend, and I am singing it all in an intergalactic language too!” Me... yes, indeed, why not?!?


Pleiadian opens the voice, the words contain so many vowels, nothing is cramping the sounds. The voice can flow freely. This is most obvious in Album 3, AMAONA where I mixed Pleiadian with English texts. Even though English is a fantastic language for singing, there is an immense difference concerning both opening and flow. You simply cannot compare. Now the language had settled inside me, I recognized the words and phrases, knew if they felt right... well, then it was right. An extraordinary working method, wouldn’t you agree?

On each album I had sung certain parts directly in the studio, that is to say without a written text or a preconceived tune. On ALIGNMENT I went the whole way. Without form, tune, idea or text, I let myself be guided to create in the moment. The Pleiadian is here more naked, subtle, small variations in a larger flow. It was a great relief for me to realize that this is a language of emotions, that one word has many different meanings completely depending on the feeling, energy or frequency it is meant to convey. I do not need to understand, only feel.

To me both as a writer of lyrics and most particularly to me as a singer, Pleiadian is a fantastic language. Its words open my voice and allows it to flow, they influence my entire being, all of my body. They mean healing to me.

Why not try to sing along and give yourself the experience!